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The
southern entrance to the
First Polyclinic Hospitall
Yet, until the late 1890s most hospitals
in Naples were under the auspices of religious orders.
That is, many churches came with adjacent monasteries or
convents that were dedicated, at least partially, to
caring for the sick. They have a long history in the
city. One of the first such facilities was Sant’Eligio
al
Mercato, founded under Charles II of
Anjou in 1270. Sant'Antonio abate
is also quite early, from 1313. Though many of these
ancient places are now gone, a number of them are still
in existence and now part of the modern health-care
infrastructure of the city; among these are the Vecchio
Pellegrini, the Incurabili,
the Annunziata, the Ascalesi, and San Gennaro dei Poveri. Between
the very old and very new, however, is the case of the
First Polyclinic Hospital of
the University of Naples. Though now called
"the old polyclinic" by locals, it was once the new
jewel of health care in southern Italy. It was
part of the urban renewal of Naples, called
the Risanamento,
between 1885 and 1915, and was just as much a
part of Naples for the new 20th century as all
the new roads, slum clearance and classy
hotels of the same period. The hospital was
inaugurated on January 13, 1908 and
immediately hailed as a world-class medical
school cum
teaching hospital.
The
controversy
centered
on
Croce di Lucca. The loss of the convent,
itself, was a given. Most monasteries and
convents in Naples had been definitively
closed by Napoleon and then definitively the
second time (!) by the anti-clerical rulers of
the new united Italy in the 1860s. Most of the
buildings were converted to secular use, yet
usually the churches were saved. That is,
today you can go to church at San Giacomo
right next to the city hall, which used to be
the San Giacomo monastery. The same is true of
the church of the Spirito Santo, next to what
used to be the giant Spirito Santo monastery,
now the new architectural department of the
University of Naples, and so forth. (See this link for
more on the ex-monasteries of Naples.) Croce
di
Lucca
was a special case, however, according to Benedetto Croce and
other Kulturträger
in Naples of the 1890s. The hospital builders
had spared the church of S. Maria della
Sapienza, taking only the convent,
but they wanted all of Croce di Lucca, both
convent and church. Those who wanted to save
the church pleaded their case in Croce's
journal Napoli
Napolissima. In 1903, when the
construction was at the halfway mark, Croce,
himself, reminded the builders that destroying
the church had not been part of the original
plan; yet, the builders
went
ahead
and lopped off 20 feet of the church to
enlarge the southern entrance. They obviously
wanted the whole area for a square in front of
the entrance at the junction of the main
east-west via
dei Tribunali (running along the
bottom of the photo, above) and via del Sole,
the north-south road that ran down along the
side of the new hospital buildings. As late as
one week before the opening of the hospital,
Croce
was still writing in il Mattino (Jan. 5, 1908) to
save what was left of the church. His column
was answered by a gentleman who said, "It
would be nice if we could save everything that
is old while we build the new, but we can't."
(That is a leitmotif
in ALL discussions of urban expansion and
renewal in Naples.) They
saved
some
of Croce di Lucca, but it was a hollow
victory. The church and convent had been put
up in the mid-1550s and a century later were
turned into one of the splendors of the
Neapolitan baroque by the great Francesco Antonio
Picchiati. What was left after the
hospital was finished was an anomalous and
anonymous truncated building.
The
church of Croce di Lucca was "deconsecrated"
many years ago and is now no more than an
historical marker.
Most
of
the
considerable art treasures have been
transferred or have simply disappeared, either
lost or stolen. The building is under the
auspices of the hospital, which uses it for
assemblies of one kind or another. The
hospital never got the spacious square, but
they didn't leave much of a church, either.
You can go in and see what's left.
*
Croce di
Lucca. The unusual name refers to
the Cross of Lucca, a particular crucifix in
the Cathedral of Lucca, the town in Tuscany.
The Carmelites in Naples venerated that
object and dedicated the church and
monastery to it. It has nothing to do with
Luke the Evangelist ('Luca'
in Italian). ^back to
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