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Oplontis
The only large, significant excavation at Oplontis is
the "Villa of Poppaea," referring to Poppaea Sabina,
Nero's second wife. That is at least a possible
conclusion from an amphora fragment bearing the name
"Secundus," one of Poppaea's servants. In any event,
it was almost certainly an imperial residence,
opulently equipped as it was with a 60 x 15-meter
swimming pool, a large number of rooms, intervening
gardens and courtyards, and murals on the walls that
are still splendid. Some of the extant murals are
beautiful examples of the so-called "second Pompeian
style," depicting artificial architecture on the
walls—painted windows opened onto painted sea or
landscape or onto painted rows of columns that fade
away from the viewer through the use of perspective,
all to give the illusion of space. It was, no doubt,
one of the villas that impressed Strabo so much. The "peacock
mural" from Oplontis. It is remarkable
for the use of pseudo-perspective in the columns and the trompe-l'oeil effect of the bird's tail.
By far the most striking thing about Oplontis is what
you don't find—human remains. And there are no lava
molds of people huddled together in death, as there
are at Pompeii. The Villa Poppaea was deserted when
Vesuvius erupted. In the wake of an earthquake that
damaged the town and villa severely in the decade
before the great eruption, people had moved away so
reconstruction could take place. Presumably, the
residents were elsewhere, making typical complaints
about how it took the Egyptians less time to build the
pyramids than it does for us Romans to put a few
bricks back in place, when real disaster struck. to: portal index for
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