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Just as countries such as the United
States have opened facilities (the US has one on Ellis
Island) to celebrate the arrival of immigrant nation
builders, Italy is now in the midst of opening at least
a few museums dedicated to the sad fact that so many
people simply had to leave, driven away mostly by
economics. The great waves of Neapolitans and southern
Italians, in general, who left their homes from
1880-1920 amount, by some counts, to 15 million (and 27
million if you spread the time-frame a bit and include
all of Italy). Elsewhere in Italy, there is now such
a museum in Gualdo Tadino, near Perugia in Umbria. It
claims to be the first Regional Museum of
Emigration in Italy.
Also, in
Calabria, "La Nave della Sila"
has opened. "Sila" designates an area of Calabria,
(approximately the area around Cosenza) parts of which are still
depleted from loss of population due to
emigration—there are "ghost
towns" in Calabria. "Nave" means ship. Thus,
the "Nave della
Sila" museum proclaims the area to have
been a great vessel for millions of people—who left.
Both museums have photographic exhibits,
audio-visual displays and sponsor lectures. They are
first-class facilities for students and anyone else
seeking to get a handle on the phenomenon. Various round-table discussions in Naples
over the course of the last 18 months have
envisioned the Immacolatella
as just such a facility. The site is the
perfect symbol of emigration. The people left from
here. (The mammoth main passenger terminal at the
port wasn't built until 1936). The museum—according
to projections—will have a "Wall of Memories," a
section on "The Trip," and a few other displays. It
will also include an international research center.
The complete plan is grandiose and includes the
restoration of the nearby church of Santa Maria di Portosalvo
(Safe Haven), the sorely dilapidated building that
used to be the traditional house of worship for
Neapolitan seafarers. It
is now about 150 yards inland, but was once at
water's edge before urban rebuilders
filled in the small crescent-shaped port that
had the church and the Immacolatella at opposite
points of the crescent, so to speak, facing each
other across the water. That will take some doing.
The last I have read on this is that they are still
at the stage of discussions to "create synergy among
the city government, the Naples Port Authority and
the Ministry of Culture." Uh-oh. I am allergic to terms such as "Creating
synergy"; if you are not, I salute your immune
system. It all sounds distressingly
long-term, but if there is one place in Italy that
should have such a museum, it's Naples. [Also see "Immigration
& Emigration"]
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