main index   © Jeff Matthews 2002-2012   entry Jan. 2009


Remembering Naples

Here are some excerpts from emails sent to me over the last few years by Larry Ray of Gulfport, Mississippi. He spent time in Naples many years ago and enjoys sharing his memories. With his permission, I share them with you. Larry maintains a blog called the iHandbill as well as a website, Larry Ray.com. He also does English-translations of the material on Napoli Underground, an organization devoted to exploring the tunnels and caverns beneath the city of Naples. (Also see Larry's items The Great Money Pit and Beneath the Oldest Basilica in Naples on this website.)  The material below is in no particular order, and I have not edited the content other than to insert an occasional explanatory comment [in brackets like this]; I have also linked to the entries in this encyclopedia that were the sources of his notes to me. Larry also has This recorded interview  (about 30 min.) from Radio New Zealand about the caves and quarries beneath Naples.


Below: Napoli-Piedonte railway; Brit cemetery; Riva Fiorita; Achille Lauro; Grand Albergo di Londres; Main Post Office; Wall shrines; Villa Floridiana; the Femminiello; Santa Lucia; Remembering Lucky Luciano; Playing Music in Naples; Chestnuts roasting on an open fire.



...One of many, many nagging mysteries about Napule has always been that narrow building near the Orto Botanico, the “Ferrovia Napoli—Piedimonte Matese”. I actually searched for rails, looked for stairs descending to a platform, etc. and finally tucked it into the Naples X File drawer of my memory. I frequently walked home up to Cupa Carbone all the way from Piazza Municipio and on Via Foria would see this mystery station sitting out there all by itself . . . now I know!  

There is also a gray columned gate leading to an army barracks of some sort nearby.

Also in 1959-60, a theater, beneath the Galleria Umberto, with its entrance almost at the inside intersection of the Via Roma - Via St. Brigida entrances was a porno grind cinema with a real rough edge to it . . . the underground theater idea fascinated me . . . the rough crowd did not. Then in the mid 80's, right beneath the steps at the entrance on the Via Verdi side, a friend of mine (who owned the 'Fratelli Cimmino' TV and appliance store across from that entrance) told me that a small theater for live performances of jazz, theater, etc. was being restored there. I watched the construction down in the lower 'bow' of the two stairways leading up from via Verdi into the Galleria . . . on subsequent  visits, the Cheops factor had done its logarithmic thing and when I last saw it, it was a boarded up, dust covered place mark in time. Are either of the places I mention the location of the café-chantant of your article?

[Yes, they both are.]

I visited the Metropolitan cinema in the huge tuffo cavern off via Chiaia many times. I understand after being closed for decades it is now a multi-screen theater. My speleologist buddies in Naples tell me that the huge theater only occupies a tiny bit of the massive tuffo quarry in that part of the Chiaia district...




...I seem to recall a Brit Cemetery and an American one too. I believe the British Cemetery was or is also called Cimitero dei Protestanti and is off Piazza Volturno on Corso Garibaldi about halfway between Piazza Garibaldi and Carlo III. I know this because I used to go to the Anglican Cathedral on Via San Pasquale up off Riviera di Chiaia and some of the older folks would go there annually for a bit of a tidy up…

Garibaldi gave four prime pieces of real estate to the Brits for Protestant Anglican churches in Milan, Rome, Florence and Naples, it is said, in appreciation for their help in the unification. The one in Naples is a time warp . . . small expat congregation, part military, consular types,  Brit shop owners and visitors. There is an ancient tracker pipe organ, it is freeze-your-ass-off cold in the winter . . . old round cracked red leather kneeling pads . . . a cornerstone honoring Queen Victoria, and a lovely little courtyard on one side for after mass gathering, tea and such. There is a older local woman who for years has been the assistant to the various young pastors who have been posted there. She is serious, sweet and the church is very much her whole life. One of my favorite tales is a visit many years ago for morning mass, and as we filed out, I mentioned to the ruddy-faced young priest that I was from St. Mark's parish, 1847, in South Mississippi. His face formed into a condescending beacon of superiority and through a stiff half smile he nodded and said, "Ah, Episcopalian…  well, you are always welcome." Then he turned abruptly to pump the hand of a pledging member behind me...



...I was more than delighted to see the photos and read about my old hangout, Riva Fiorita!  I have had many wild and wonderful times in "The Castle" and the close up of the turret being restored is also a close up of my days in that turret with a wild, genius cybernetician, Dr. Valentino Braitenburg and his wife and young daughter. He lived in the front portion of the villa with his American born, New Yorker wife. Dr. B was doing research in a laboratory located in a building just across from the Zoo entrance at the Mostra, and we got connected because he needed a technician to help with things electrical and electronic in his research work. He took a real shine to me and taught me how to extrude micro glass electrodes which I inserted with a micro manipulator into live frog brains (they had been immobilized with a dose of curare . . . can't make this kind of stuff up!) He was mapping a portion of bovine brain wherein lie groupings of Purkinje cells, also called Purkinje neurons which were of interest to him because they act as a delay network. Frog brain was used for in vivo study on an oscilloscope screen. Valentino was highly animated, juggling several projects at once . . . he is a phD cybernetic scientist, earned his MD, played concert piano and was incredibly influential upon my early development because of the machine gun exposure to things mysterious, challenging and delightfully new. In the very turret he played wildly and excellently upon his piano, and then enlisted my assistance in helping him design a transducer to allow him to put music INTO a violin while it was being played. And yes, he was a masterful violinist as well.

In your bottom photo, the second story balcony on the light colored apartment building took me back to another Riva Fiorita halcyon memory . . . for that was the apartment of Irene Abi, a German or Austrian girl about my age, 20-21, with whom I had a deep friendship and a somewhat beatnik romance. We had a striking resemblance to one another and were easily taken for twins which was a total hoot to both of us. Somewhere I have a photo of her leaning over that top railing, her chin resting on it, with a delightful mischievous smile.

In what used to be small monocamera apartments at street level in the building behind the Villa Volpicelli, on the road up and out of Riva Fiorita lived a friend of Irene, a starving German artist who seemed to delight in lecturing me about where art came from, railing that my large surreal, abstract paintings which I was exhibiting were "uninspired trash, a fortunate conjuncture of color devoid of true artistic depth." She really raked me over. I had a Lancia Aurelia Gran turismo, four door "machinone" as my friends called it. It had a right hand steering wheel, and the winding descent down to the Riva Fiorita was always like running a road rally...I had a straight exhaust pipe on the Lancia and It was a helluva lot of fun...I loosened tiles on the roof of the galleria Vittoria at 1 AM many times...some of my dearest memories of those years in Naples from 1959 to 62.

In 1990, a good friend drove me back down to Riva Fiorita and the old castle was looking pretty rough, as was most of the area. I had a great visit with an old fisherman who indeed remembered Irene, and seemed to think that she was still in Naples. I really thank you for popping this gem, replete with great photos, before me. A real delight and to know the history of, and present situation of the old place really is wonderful.



...My favorite tale about Achille Lauro is that after he and a lovely lady friend arrived at Zi Teresa for an afternoon bite to eat, the scugnizzi  [street kids] below began to chant his name, applaud, etc. He beamed, and finally acceded to the adoration, stood and went to the iron railing where the urchins gleefully presented him, for all gathered on the long terrazzo to enjoy, with a loud, raucous pernacchio chorus before diving back into the waiting Borgo marina. The Mayor walked back to his table while fellow diners smiled and held back snickers. 



Great tale, and might even be true!...



...The piece on the Grand Albergo di Londres brought back warm memories. When I arrived in late 1958, the Capo navy bus, a gray Mercedes coach that was nicely appointed, stopped right near the Londres. You will probably also remember the Bluebird club right off Piazza Municipio down the short alley that connects to via Depretis. The club was always predictably full of drunk sailors sopping up the 25 cent mixed drinks and so-so eats. Friends took me around the corner to the Londres where I discovered the real inviting feeling of their Lowenbrau beer garden-themed restaurant. I loved their shashlik kebobs with an icy mug of beer. All new and excitingly European for an 18-year-old from Aransas Pass, Texas!

A couple of years later I rented a room with a buddy in the Londres on New Year's Eve and we filled the large armoire in the tall-ceilinged room with fireworks, mostly Roman candles we bought. Some poor carriage driver was trying to make it around the round-about with his wild-eyed horse wanting to get the hell out of there. It was dark. We sighted in on the back of the jouncing carriage with the Roman candles, the exploding fireballs serving as fire-directing tracer rounds. Great fun, but not for Luigi and the poor horse.

The entire piazza was swallowed in a murky sulfurous fog, limiting visibility to a meter or so at best. I had no knowledge of the home-made botte [firework explosions], and on several occasions was sure that either unexploded WWII ordinance was going off, or that entire fireworks stands had gone up. Finally a combination of too much spumante, panettone, and lack of oxygen from the thick smoke sent me off to sleep. What a hangover the next morning.




...Astounding that [the main] post office it is four years older than I am, and remains in such great condition. I have always loved the wonderful severe, almost forbidding Art Deco cavern. The snotty Post Office clerks behind the windows continued the Fascist tradition every time I bought stamps or needed information. The steps down from street level on Corso Umberto always generated a strange almost eerie out of place feeling. Used to go to the PTT in that general area where one placed a long distance call, took a numbered receipt, sat on a bench and waited to have your ticket number called to enter an ample sound-proofed phone  booth to begin your call. Wish I had of had a teleported copy of your encyclopedia back then in the late 50's, early 60's. Imagine how much more I could have enjoyed Naples…though I doubt that would have been possible. Still the most magical and memorable years of my life...


[In reference to the votive wall shrines of Naples]  Twenty five or so years ago I took the big elevator down into the Sanità and spend all morning just walking and discreetly shooting some photos. In front of one of the little street shrines the little bulbs were burned out. I thought, what the hell, these folks don't have much money, so I unscrewed one and found a little hardware store, bought the bulbs and returned to replace them, leaving a half dozen little boxed spares. Well, not surprisingly, my every move had been watched in front of the little shrine. As I was replacing the bulbs a severe woman came up and demanded to know what I was doing. I answered that the bulbs were burned out and that I wanted to do something for the neighborhood and got some new ones and was putting them in so there would be a little light at night. I added that I hoped it would make the saint happy. The inevitable crowd gathered. It was quickly established that I was an American who spoke Italian with a definite Neapolitan accent, that I was sincere, and was doing this deed on one of my regular annual trips back to Napoli. Took a while for them to be damned sure I wasn't up to something or that I had no ulterior motive. Then I was greeted with smiles and thanked.

One younger fellow in the crowd came up chided me for carrying around a camera "down here." Certainly I knew that it would be snatched! He then said he would go with me wherever I wanted to go and that I could take all the pictures I wanted "with no worry." The trip then really became interesting. I was invited up to his apartment for coffee and was introduced to wife, kids and a dozen other assorted family members, including one who was a Scafi Blu captain. I told him I had friends who owned a trattoria at borgo Marinaro and had talked to lots of the Scafi Blu folks down there. He warmed up even more and gave me the inward waggle of his hand, palm in, index finger extended indicating I should come for a look see in the bedroom. Beaming, he proudly showed me large brown boxed cartons of Marlborough cigarettes from floor to ceiling. I applauded and said Bravo! Everyone thought that was funny. I soon was treated as if I lived "down there" and have always wished I had returned the next year with copies of the photos for them.

(^to top)



I also noted the update on the Villa Floridiana and notice of it being transferred to a new bureaucracy. I got to know the museum and staff very well, and even would take a nice panettone or other goodies every time I returned for many years.

I also got to know Enrico DeConcilis, a mild mannered and wonderful gentleman who was a guide there. More of a docent, actually. His wife, Margarita, worked for the yellow pages and we have been dear friends for more than 30 years. Both are now retired. They live in
a very nice apartment in the uppermost part of the Floridiana...we used to get to it using a doorway into the rafters and attic, thence across a suspended walkway and into a small but modern and well appointed apartment. Since my last visit, Enrico tells me they now have an elevator.

The apartment also has access to the wonderful roof terrace atop the Villa. The panorama
is truly breathtaking. I now must call them and see if the change in supervision of the
museum will impact their living arrangements which they have had for decades. I never
asked, but it seems that Enrico's dedication to, and knowledge of the museum somehow made
him a live-in security presence, though I do not know that to be the case. I sure would
hate to see them forced out, and hopefully his presence and knowledge will be appreciated
and seen as an asset.

There is also a huge underground auditorium beneath the Floridiana from the early days of
the Villa, which is now dank and forgotten. I was told all about it by Enrico and almost
worked in a visit to see it, but time was too short. Fulvio knows all about the auditorium cum void from his days with the Departemento di Sottosuolo. I loved the Villa Floridiana and spent lots of time there just escaping the noise and hustle of the city. Lots of lovers groping and mothers pushing babies in preambulators of veddddy British design.

(In reference to The Femminiello)

I remember seeing them around midnight around the exits of the Galleria Umberto, in the open areas around the Castello Angioino posing and parading about and there were no cat calls or insults . . . I asked a friend what that was all about and he merely explained that they came out on the weekends around midnight and were 'femminielli,' noting that some were damned hard to tell from the real thing.

Then some while later I remember reading somewhere that there was a protective, supportive and accepting tradition in the bassi above via Roma where the femminielli were regulars sitting with the women as they played tombola, and also were trained like daughters in hand work like crochet and such. This reference mentioned that everyone in the quarter was just fine with the situation and in fact, the femminielli were frequently protected by brawny men in the bassi [popular, poor quarter] from cafoni [insult for those with no class, something like "hicks"] who made a big deal out of their femininity.

(re Santa Lucia, Swedish St. Lucy)

I have an Italian-American immigrant tale from the United States, this time from New Orleans where St. Lucy is venerated in an innocently inappropriate way by the St. Lucy Society of New Orleans.

The wave of Italian immigrants arrived at the port of New Orleans after the war between the states in the U.S.. Most all came from Sicily, and New Orleans culture today is rich with Sicilian cuisine, customs and traditions. The annual St. Joseph's day altars in churches and many private homes still feature huge ornate baked breads and pastries. There are many Italian benevolent societies, clubs and organizations as well, including an Italian-American-Italian federation of the Southeast.

Our Gulf Coast Italian-American Cultural Society from the Mississippi Gulf Coast always had representatives for the annual meeting of the state federation. One year when the federation gathering was hosted in New Orleans, I went over with several of our society's officers. ( I was local club president that year … the first and only Irish descended president of an Italian cultural organization in the area.) One of the events was attending a special annual St. Joseph's Day mass honoring the St. Lucy Society of New Orleans's patron saint in a huge Catholic cathedral there.

Few if any present day Italian Americans in the New Orleans area speak Italian, and their Sicilian dialect also vanished under generations of pressure from parents to speak English and "be American." The incongruence of honoring a patron saint of the blind on St. Joseph's day is just part of the mish-mash of traditions and cobbled together memories of "the old country." Adding to this gumbo from the past is the song selected to be sung at that mass for their patron saint, Saint Lucy AKA "Santa Lucia." Yep, that's what we sang loudly, filling the church with song not about St. Lucia healing the blind, rather it was a familiar melody from around 1849 that glorifies the beauty of an ancient seaside quarter of Naples, Italy:

Over the sea shines a silver star.
Placid is the wave. Fair is the wind.
Come to my swift little boat,
Santa Lucia, Santa Lucia.
Come to my swift little boat,
Santa Lucia, Santa Lucia.

It seems that the St. Lucy, who lived in the fourth century has long had a history that does not match her name. All that scholars and historians really know is that she was a brave individual who lived in Syracuse and died, unflinching, at the hands of those persecuting Christians. Fanciful legends evolved after her death as a tribute to her faith and courage. One tells of a chaste young girl who had devoted her life to Christ. Her mother, however, wanted to marry her off into a fine family. Lucy would have none of it, and through her prayers at the tomb of Saint Agatha she brought about a miraculous cure for her mother's long-standing illness.

That convinced Mom, but her jilted bridegroom turned Lucy in to the local governor as a Christian. We know she was persecuted and killed. And the killings were pretty grim in those days including burning, a sword thrust through the neck and torture that included mutilation of the eyes. Another Lucy legend has it that Roman Emperor and persecutor of the church, Diocletian, put out her eyes himself, only to have them restored by God. At any rate she wound up as patron saint of the blind. Her name comes from the same root of the word "lucid" or light, and what the heck, she could be that bright shining star reflecting her light off the waves in the bay off the ancient fishermen's port of Santa Lucia in bella Napoli.
(^to top)

July 21, 2011
[ed. note: This just arrived from Larry; it is in reference to the entry on Lucky Luciano]

Jeff,

Great story that brought me back to Napoli and 1959, as a barely nineteen-year-old who had arrived fresh from a year of US Navy electronic and instructor schools for a posting to Naval Air Facility Capodichino. I have told you about my instant fascination with Napoli and making the transition from speaking Spanish to Italian facilitated by my taking a tiny apartment on Cupa Carbone, a stone's throw literally across a wooden fence from the American base which in a fenced off area just down from the Italian civilian airport facilities.

A large gray Mercedes bus shuttled us between the Capodichino air base and Piazza Municipio which was a central hangout with the enlisted Bluebird Club, and all sorts of other bars and even a huge pizzaria on the second floor of a large building on the corner of Via Medina and Piazza Municipio above where the entrance to Monte Dei Paschi di Siena bank is today.

Across the piazza roughly around where via Verdi comes into the piazza from Via Santa Brigida there was the California Bar which attracted lots of American sailors as well as locals. I was having a great time trying to communicate, learning Italian and, unwittingly, mimicking the strong local Neapolitan accent and vernacular. I had developed a friendly repartee with a waiter in the California Bar and he found it a novelty that an American was trying so hard to learn to speak Italian. 

One afternoon I stopped in the California Bar and there was just one other person, an older man sitting alone at a table. As I bantered with the barrista, the man at the table smiled and motioned me over. He was nicely dressed, very friendly and he complimented me on my Italian. Really a nice old guy. I asked him how he learned his English so well and he allowed as how he "had lived in the states" and that he always liked meeting "you young fellows stationed here." Sort of like talking to a favorite old uncle.

I saw him a couple of more times and wrote my parents that I had met the nicest interesting old man, an Italian who had lived in the USA, a Mr. Luciano, but everyone called him "Lucky." I got a stern almost screaming letter from my father who told me to stay away from the man and not to talk to him ever again because he was a notorious gangster.

I was sure father had bad information, but after mentioning this to one of the guys who had been stationed there a couple of years he told me that Lucky Luciano did indeed hang out at the California Bar and that he had been deported by the US government and that it was best not to even be seen with him. So I quit going to the California Bar and never saw my friend "Lucky" again.

A few months before I was was discharged, ready to return to Texas and enter the University of Texas, all the newspapers had a photo of a well dressed man sprawled on the pavement at the entrance to Capodichino airport where the US Naval Air Facility was located . . . and, incidentally,  just across the fence from Cupa Carbone and not far from my little apartment. In the photo he was being lifted into a plain wooden coffin. Someone had taken what looked like a cushion from a chair inside the airport lobby and thoughtfully placed it under the head and shoulders of the man who had collapsed and died. He was sixty-five years old.

As a gangly kid from Aransas Pass, Texas who knew nothing at all about gangster mobs, or for that matter, not about much of anything at all outside South Texas, it was one of many real life history lessons I got while living in bella Napoli.          

Aug. 9, 2011

"...I have not picked up either my alto or tenor saxes or my flute in a long time. When I quit playing second tenor with a local 16-piece big band in the late 1990's, I finally stopped playing for the first time since high school days in the 1950's. Played all the way through 4 years in the Navy including the almost three years in Napoli with our little six- piece pop band, "I Saraceni," with my Italian buddies including Corrado Cimmino whose family had a music and record store on Via Santa Brigida across from the entrance to the Galleria. I bought a tenor sax there, met Corrado who is my age and we formed the band and played gigs at the Circolo Calabrese, and spot gigged at the Sombrero Club which you may remember at Piazza Vittoria. It was a cozy walk-down piano bar in a corner building that fronted on the bay. Romano Mussolini was a regular and we all played together and even joined Romano playing at a private party in an incredible private apartment in one of the buildings at Piazza Bovio.

"Those connections greatly helped me learn decent Italian and ultimately I was emcee for a NATO variety act broadcast live on Silvio Noto's "Punto Contro Punto" out of the RAI studios in the Mostra d'Oltremare. That was really well received and we were asked to do a repeat performance as a fund raiser for the Vigili Urbani retirement fund which we did at the Teatro Politeama. This was the time Chubby Checker's "Twist" was the rage. We had a Country & Western segment with American kids square dancing with the cowboy garb and girls in long red dresses and I, skinny as a rail, wearing a fancy white Western style shirt and red bandanna around my neck, was a real novelty speaking in Italian, all carefully rehearsed show biz lines prepared by one of the friends in a group of intellectual young locals who had adopted me as their mascot... Orazio Orlando, who became a famous actor and died early in his life in the 1980's..."


Nov 21, 2011
Chestnuts

"...This kind of weather brings back some powerful memories of moments in Napoli when I was 19 years old.

"Do they still have the street vendors with the caldarroste being toasted over a barrel with hot coals in it and a wok-like steel bowl on top full of the red hot chestnuts with their shells starting to crack open?  I remember a thick piece of wet burlap over the top, and a pile of newspaper on the sidewalk that was used to create a large cone into which the red hot delights would be placed for customers.

"The Fall weather was quite chilly in the evenings in 1959. I had just gotten paid, and taken a ride into town on the big gray US Navy Mercedes bus from the Naval Air Facility on the airport at Capodichino down to the central Piazza Municipio. The large sized Italian paper money was still being used and I had exchanged my dollars for a huge roll of the ornate and almost cloth-like bills that measured about seven inches high and eleven inches long.

"Walking up to Piazza Trieste and Trento, I was delighted with a little old man, not much taller than the steel barrel that he was using as a stove, burning strips of wood all set up on a sidewalk. He was so engaging and almost gnome-like as he touted his caldarroste, or "hot roasteds" (that is what it sounded like, not sure of the spelling in dialect) all heaped in a large circular pan atop the coals in the barrel and covered with a damp square of burlap.

"I wasn't quite sure what was in the pan but I told him I wanted some in my halting Italian, already with a Neapolitan accent. With a well practiced flourish, he, like a magician, pulled out a sheet of newspaper and in what seemed only one or two moves, produced the nice paper cone, filled it with lots of hot roasted chestnuts and rolled over the top to seal them in. He gestured that I should put the steamy packet inside my coat to keep me warm. I understood immediately and I gestured back pulling my coat tightly to me with my two forearms atop one another indicating "keeping warm." So much of daily communication in Naples is done without a word being spoken.

"I whipped out a large cinquemila lire bill the size of half a tabloid newspaper sheet, which was a lot of dough I guess in 1959, rolled it into a cone and paid him with it thanking him, again in my halting Italian. He radiated such genuine surprise, happiness and gratitude for my largesse and a sense of exchanging mutual humor with this unusual tall, skinny American kid. This was among the early personal moments that lured me deeper and deeper into the heart and soul of Napoli."


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