|
Arthur Conan Doyle, Sherlock Holmes & the Medium of Naples “This agency stands flat-footed upon the ground, and there it must remain. The world is big enough for us. No ghosts need apply.”
Similarly, I imagine that in the late 1800s, many readers simply assumed that Sir Arthur Conan Doyle had created in the character, Sherlock Holmes, somewhat of an alter-ego—a rational mind addicted to the cool empiricism of Victorian England and a skeptic when it came to the paranormal. Again, far from it. In at least three books—The New Revelation (1918), The Coming of the Fairies (1921) and The History of Spiritualism (1926)—and in his private life, Conan Doyle showed himself to be a believer in psychic phenomena, including spirit materializations and telekinesis, even attributing supernatural powers to master magician and debunker of the supernatural, Harry Houdini. Conan Doyle was almost obsessed with seances and was apparently convinced that these purported contacts with “the other side” put religion on a scientific basis. He even put some rather Thomistic words in the mouth of Holmes, his empirical master sleuth (in The Adventure of the Naval Treaty, 1893): “There is nothing in which deduction is so necessary as in religion...It can be built up as an exact science by the reasoner...”. That seems to be in contrast to the Holmes passage at the top of this page, so maybe we’ll never know how Sherlock really felt. His creator, Arthur Conan Doyle, however, was a defender of the Neapolitan medium, Eusapia Palladino, perhaps the most successful and studied medium of the turn of that century; she either produced remarkable psychic phenomena or was the greatest trickster of all. She even convinced such persons as Nobel laureate Pierre Curie and professional magician and debunker Howard Thurston, who said:
In the History of Spiritualism, Conan Doyle said this of Palladino: “...Either bound to a seat or firmly held by the hands of the curious, she attracts to her the articles of furniture which surround her, lifts them up, holds them suspended in the air like Mahomet's coffin, and makes them come down again with undulatory movements, as if they were obeying her will...She raps or taps upon the walls, the ceiling, the floor, with fine rhythm and cadence. In response to the requests of the spectators, something like flashes of electricity shoot forth from her body, and envelop her or enwrap the spectators of these marvellous scenes...However the facts are to be explained, the possibility of the facts I am constrained to admit. There is no further room in my mind for doubt. Any person without invincible prejudice who had had the same experience would have come to the same broad conclusion, viz.: that things hitherto held impossible do actually occur...” Eusapia
Palladino was born in 1854 in a village near Bari.
She was orphaned, received almost no education and
was taken in as a nursemaid by a family in Naples.
It was a household in which seances were held, an
environment in which she is said to have
demonstrated paranormal abilities, even such as to
convince local skeptics from the university.
Beginning in 1890 and for a period of some 20
year, she “performed” in various places in Europe,
including Milan, Paris and Cambridge; in 1908 and
1910 she went to America and convinced the
American Society of Psychical research that she
was genuine, but not William Marriot, a
professional conjurer, who declared that she was a
fake. Almost all of these appearances were for—or at least in the presence of—jaded skeptics wise to the world of
medium trickery and bent on exposing fraud. And so
she showed off the typical seance manifestations
of levitating tables, disembodied hands, audible
voices, apparitions and channeling, convincing a
number of unbelievers, but not others. Even her
defenders admitted that she resorted to trickery
occasionally when her own powers failed her. If she was
a fake, she was a good one. The Washington Post
ran a feature on her (Nov. 16, 1909) and
said that "she is credited with converting the
eminent criminologist Cesare
Lombroso to spiritualism." And The New Times
(Oct. 10, 1909) devoted an entire page to a
feature called "Detecting the
Tricks of the Mediums" by Hereward Carrington, a
prominent British investigator of psychic phenomena. He
said, "...I might go on telling you of many more
experiences of the same character, all of which were to
my mind distinctly fraudulent. In fact, I have never
until I met Eusapia Palladino come across a medium whom
I did not believe fraudulent. I do believe in her...I
went to Naples a skeptic, I returned convinced." A few
days earlier (Oct. 6, 1909), the same NYT had critically
editorialized that both... "...Prof. William James and Mr. Hereward Carrington employ their influence in raising the stock of human credulity in favor of Eusaapia Palladino, the Neapolitan medium who is about to visit these shores, with her stock of trickery and supernatural pretensions... And Prof. James quotes Mr. Carrington in evidence. But Mr. Carrington lately has put out a book upholding the theory that the food assimilated by the body does not supply its energy. From this is but a step to Prof. James theory that the universe is full of a lot of "diffuse soul stuff" which may upon occasion supply the bodily members with their motive power... It might be well for each of these authorities on psychical phenomena not to rely too implicitly on the authority of the other in convincing and winning the public to his belief. The time has almost come when to be a psychical researcher is to confess unsoundness of judgment."
I
wandered the length of the street
Eusapia Palladinolived on
in Naples: via Benedetto Cairoli, off
of via S. Antonio Abate in the San
Lorenzo section of town between the
main train station and the Botanical Gardens.
I thought there might be some sort of
plaque or other marker to indicate the
house in which Europe's best-known
spiritualist medium of the day had
lived. There was not. I don't know
what that means, either, but I'll keep
trying—maybe find out where she is buried.
The game is afoot! |